This selection of her writing, which she made herself, covers more than a decade of her thought and ranges over a diversity of subjects giving a true measure of the wide focus of her interests: the brothers Grimm; William Burroughs; food writing, Elizbaeth David; British writing: American writing; sexuality, from Josephine Baker to the history of the corset; and appreciations of the work of Joyce and Christina Stead.
Long autobiographical pieces on her life in South Yorkshire and South London are followed by highly individual inspections of ‘abroad’. Some of her most brilliant writing is devoted to Japan exotically and erotically described here – so perfectly suited to the Carter pen. Domestically, Angela Carter uses her mordant wit and accurate eye to inspect England and Englishness as it manifested itself throughout the land. Than she turns to her own craft, and her extraordinarily wide-ranging book reviews are masterpieces. This collection shows Angela Carter as one of the funniest and most perceptive critics of our age, a maverick who didn’t miss a thing.
A collection of short stories which tear through the archives of cinema, of art and of the subconscious. A young Lizzie Borden visits the circus; a pianist makes a Faustian pact in a fly-blown Southern brothel; and a transfigured Mary Magdalene steps out of the canvases of Donatello and de la Tour.
Centre stage in Angela Carter’s unruly tale of the Flower Power Generation is Joseph – a decadent, disorientated rebel without a cause. A self-styled nihilist whose girlfriend has abandoned him, Joseph has decided to give up existing. But his concerned friends and neighbours have other plans. In an effort to join in the spirit of protest which motivates his contemporaries, Joseph frees a badger from the local zoo; sends a turd airmail to the President of the United States; falls in love with the mother of his best friend; and, accompanied by the strains of an old man’s violin, celebrates Christmas Eve in a bewildering state of sexual discovery. But has he found the Meaning of Life?
Carter’s heady first novel introduces one of her most enigmatic characters. Honeybuzzard spends his nights scavenging the contents of abandoned buildings and his days seducing and tormenting lovers, enemies, and friends. He and his best friend Morris scoour the backstreets of London, leaving behind a trail of detruction in the broken hearts and dashed hopes of those they love, manipulate, and ultimately discard.
“Sexuality is power,” wrote the Marquis de Sade. His virtuous Justine kept to the rules laid down by men, her reward rape and humiliation; his Juliette, Justine’s triumphantly monstrous antithesis, viciously exploited her sexuality. This is a world where all tenderness is false, and all beds are minefields. But now Sade has met his match. With invention and genius, celebrated novelist Angela Carter takes on these figments of his extreme imagination and transforms them into symbols of our time—the Hollywood sex goddesses, mothers and daughters, pornography, even the sacred shrines of sex and marriage lie devastatingly exposed before our eyes. Carter delves into the viscera of our distorted sexuality and reveals a stunning vision of love that admits neither the conqueror nor the conquered. It is a dazzling meditation on women’s sexual freedom.